| |
The following article appeared in L.A. Jazz Scene magazine in October 2005:
|
|
| |
 |
|
| |
In a solo performance that features both originals and familiar standards, Bill Keis articulates from the keyboard with class. “Nature Boy,” “Take the ‘A’ Train,” “Mercy, Mercy, Mercy” and “Laura” receive their due respect, as the pianist combines swing with crystal clear melodies. His improvised excursions open the door for periods of pensive reflection, while his faster, up-tempo numbers run clear and swift like a mountain stream. “Welcome Home” moves boldly forward with an Adult Contemporary feeling that wants to celebrate. The pianist’s anthem, although brief, rings true with a moody luster and broad strokes. Slow, meaningful ballads make up the majority of the pianist’s focus, as he sashays smoothly through varying landscapes. Intended to soothe, Keis’ program carries a bit of magic in its interpretation. The performance, samples of which may be found at www.billkeis.com, provides a relaxed ambience that’s sure to please a broad audience. “Armando’s Rhumba” provides the most excitement. With the classical-tinged etude, the pianist carries a majestic air that allows syncopation to rule its day. He’ll hang you on the edge of your seat for a moment, and then release you, for the remainder of his program, to a smooth afternoon of lyrical pleasures.
—
Jim Santella
|
|
| |
|
|
|
